We are living in an interface culture: wherever we are, we find touch screens, microphones, sensors, cameras; and we are constantly reminded of interfaces through their sounds.

Further, it was to be in a different format from that which can be experienced by readers at home, in front of a PC, on a smartphone or a tablet. This interaction can develop into a deep, continued engagement with the installation through the production of user-generated content. Three decades later, the table is turning: